Stranger Things Prompts for Nano Banana

Show the woman trapped against a dark, decayed wall in the Upside Down -vine-like tendrils wrapped around her arms and legs, glowing faintly red at the tips. She struggles to break free, face tense, sweat and dust on her skin. The background shows floating ash-like particles and patches of strange blue bioluminescent fungus. Very high texture detail, heavy atmosphere, no text.

Show the woman standing inside a ruined Hawkins street at night – abandoned cars, flickering streetlights, red storm clouds swirling overhead. From the shadows step three Vecna-infected zombies, bodies twisted, mouths distorted open unnaturally, veins glowing red like lightning under the skin. One crawls on all fours toward her. She stands her ground trembling, blue rim light hitting her face. Floating particles drift through the air. Strong Stranger-Things supernatural energy mixed with zombie-apocalypse dread.

Show the woman running through a dense night forest, moonlight barely reaching the ground. Behind her, a swarm of Stranger-Things-infected zombies emerges from red glowing cracks in the earth. Their limbs are elongated, movements jerky and unnatural, like puppets controlled by the Upside Down. Fog swirls around their feet. Red particles float in the air. The woman looks back mid-run with panic as a zombie reaches toward her. Heavy teal shadows, eerie red highlights, cinematic energy.

Show the woman standing in a retro living room, wearing a plaid shirt, hands raised as if using psychic force. Objects float around her: books, lamps, vinyl records, chairs all suspended mid-air in chaotic motion. Behind her, the alphabet wall with Christmas lights flickers erratically. Some bulbs glow bright red, forming a warning pattern. Her hair lifts slightly as if charged with static. Warm-cold contrast, volumetric haze, supernatural realism.

A wide cinematic poster shot. Show the woman levitating above a still, dark lake at dusk, headphones on, eyes rolled back white. Soft ripples expand beneath her floating body. On the shore, three teenagers in 80s outfits watch in horror, their flashlights reflecting on the water. Red lightning flashes in the sky above, illuminating her silhouette. Soft fog on the water, cold-blue palette, Stranger-Things energy.

Create a split-scene poster. On the top half, show the woman standing in an empty school hallway – lockers, fluorescent lights, faded posters. Her expression is suspicious. On the bottom half, mirrored below a cracked reflective floor, show her Upside-Down doppelgänger: pale skin, dark veins, glowing red eyes, surrounded by floating spores and dark fog. Teal-blue vs red-black contrast, cinematic symmetry, eerie and tense.

Show the woman riding an 80s-style bicycle down a foggy suburban road at dusk. Behind her, an enormous shadowy beast with long spider-like limbs emerges from a swirling red storm in the sky. She pedals hard, fear on her face. Streetlights flicker as she passes. Loose papers, leaves, and debris swirl through the air. Blue rim lights, red sky glow, fast-moving cinematic energy.

Show the woman standing in front of a massive, swirling red-black portal in the middle of a forest clearing. Her clothes are dirty and torn from battle. The portal pulls debris, leaves, and stones toward it. She stands her ground with a determined stare, lit by the red vortex behind her and moonlight from above. Tree branches twist unnaturally toward the portal.Fog, volumetric lighting, supernatural energy, epic scale.

Create a dramatic gymnasium scene. Show the woman standing in the center of an empty 80s high school gym – basketball hoops, bleachers, banners. She is bleeding slightly from the nose, stance firm, eyes glowing faintly with psychic power. Opposite her in the shadows, a tall demonic creature stands ready to strike. The gym lights flicker, objects shake on the floor, dust illuminated by beams of light. Intense, cinematic standoff, blue-red color split.

Show the same woman wearing a light windbreaker – sprinting through a moonlit forest as black vine-like tendrils lash toward her from behind. Trees stretch tall and shadowy, fog rolling low across the ground. A faint crimson glow pulses behind the trees, hinting at a portal opening. Her expression is desperate, mid-run motion blur, backlit by eerie red neon. Dark teal shadows, supernatural particles, high cinematic depth.

Create a cinematic poster. Show the same woman from the reference – denim jacket, tense expression – pressed against a cracked living-room wall as a fleshy creature pushes through from the Upside Down. The wallpaper bulges outward, veins glowing red beneath the surface. Dust floats in the air as the wall splits open behind her. She looks over her shoulder in terror, lit by warm lamps from the real world and sickly blue-red glow from the breach. 1980s decor, fog, mixed warm-cold lighting, high tension, hyper-realistic details, no text.

Show the woman running through a suburban 1980s street at night – cracked asphalt glowing from red fissures breaking open beneath her feet. A massive shadow creature crawls out from the rift behind her, its silhouette stretching across the pavement. She looks back mid-run, terrified. Streetlights flicker, mailboxes shake, cars vibrate. Fog, blue rim lighting, red-glowing cracks, intense atmosphere.

Show the woman standing on a cracked bridge in the middle of a stormy night. Below her, the river glows an unnatural red as Upside-Down tendrils rise from the water like serpents, reaching for her ankles. Her hair whips in the wind, illuminated by flashes of red lightning overhead. On the far end of the bridge, four twisted humanoid creatures crawl toward her, joints bending the wrong way, their bodies steaming with cold fog. Torn street signs clang in the wind. Heavy contrast lighting, drifting ash, deep supernatural tension, ultra-detailed textures, no text.

Show the woman trapped in an abandoned factory filled with broken machines and hanging chains. Behind her, a gigantic fleshy wall pulsates like a living heart, veins glowing bright red as spores float outward in slow motion. From between the metal beams above, multiple infected creatures drop down head-first, their limbs dangling unnaturally. She grips a rusted pipe, terrified but ready to fight. Blue rim light catches her silhouette. Dense fog pockets, metallic reflections, strong thriller mood, cinematic Upside-Down atmosphere, hyper-realistic detail.

Show the woman hiding behind a fallen tree inside a vast swamp at night. The murky water is dotted with glowing blue fungus, and long black tendrils slither just beneath the surface. In the distance, a towering multi-limbed monster rises out of the fog, its eyes burning red like coals. Smaller creatures crawl over tree trunks toward her, leaving trails of steam behind them. She clutches a flashlight that flickers weakly, casting scattered beams across the swamp. Thick fog layers, eerie reflections, high-detail mood of dread and isolation, no text.

Show the woman standing at the edge of a deserted carnival, neon lights flickering behind her. The Ferris wheel groans as it turns slowly on its own, covered in dark vines and glowing red spores. Carousel horses are split open, leaking strange light. In the center of the carnival grounds, a humanoid figure floats upside-down, limbs stretched unnaturally long, head tilted back with glowing veins. The woman steps forward cautiously, breath visible in the cold air. Particles drift around her. Retro-horror ambience, saturated colors, heavy texture realism.

Show the woman walking through an enormous underground tunnel, walls slick with glowing bioluminescent growths that pulse blue and red. Behind her, the ground cracks open, releasing bursts of red mist and Upside-Down spores. A horrifying creature with spider-like limbs crawls along the ceiling directly above her, its mouth splitting open vertically, dripping black liquid. Her flashlight beam shakes in her hand, illuminating dust and debris floating weightlessly. Long shadows, intense perspective depth, claustrophobic energy, cinematic realism, no text.